To that end, we’ve created a intuitive interface for the library that provides customization and control without being overly complex. Our philosophy when building instruments is to design with composers in mind. Rhapsody: Orchestral Percussion was instead recorded & designed to function in any musical context, from small, emotional pieces, to tense underscores, and even bombastic, loud, and – yes – epic tracks. glockenspiel, xylophone, marimba, crotales, tubular bells).īesides its scope and affordability, what else sets this library apart? Most orchestral percussion libraries strive for the ideal of “epic” through big halls and lots of reverb: a huge sound for a huge price. djembe, bongos, cajon, darbuka), and chromatic instruments (i.e. shaker, sleigh bells, castanets, chimes, metals, wood & temple blocks), hand drums (i.e.
bass drum, snare, toms, cymbals) to include a wide variety of aux percussion (i.e. Rhapsody: Orchestral Percussion goes beyond the standard suite of drums (i.e.
Each instrument has been exhaustively sampled with up to 10x RR and 5x velocity layers, captured across three mic positions in a gorgeous orchestral hall. With 50 instruments, 100+ articulations, and 21+ gigabytes of raw recordings, calling this collection ‘comprehensive’ is an understatement. Our goal with Rhapsody: Orchestral Percussion was nothing less than creating the most versatile and affordable percussion library ever.
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